Tarzan naked gay
Videos1
2Bunuel1976
TARZAN, THE APE MAN (John Derek, 1981) 1/2
Undeniably, this cinematic adaptation of a classic is amongst the most poorly conceived, especially given the misleading promise of its tagline, 'The most beautiful woman of our time in the most erotic adventure of all time,' which is regrettably underutilized! Despite this film's frequent television airings throughout my childhood, its notoriety (for its poor quality, not erotic content) kept me at bay until now—my curiosity piqued by a recent appreciation of Bo Derek's preceding film, 10 (1979), and an increased engagement with fantasy during the holiday season.
Lead actress/producer Bo Derek's portrayal of a naive, sexually suggestive schoolgirl (particularly the clumsy banana scene) is somewhat comical. As anticipated, she frequently removes her clothing, though her sensuality in this production pales in comparison to her performance in 10. Richard Harris, predictably, overacts as Jane's obsessed explorer father, while John Philip Law, her aide, is almost absent from the narrative, showing a slight, initial interest in Jane. Newcomer Miles O'Keeffe, cast in the titular role, only appears 45 minutes into the film, remaining largely silent apart from his famous yodel (likely appropriated from Johnny Weissmuller). His expressionless demeanor mirrors the trees he frequently swings through in the latter half of the motion picture. Subsequently, he appeared in two films (or attempted Conan imitations) for Joe D'Amato, including SWORD OF THE VALIANT (1984).
Prior to his directorial efforts, John Derek, also cinematographer on this film, had worked with skilled filmmakers (Cecil B. De Mille, William Dieterle, and Robert Rossen) and celebrated directors (Otto Preminger, Nicholas Ray, and Don Siegel). His direction of this production, however, reveals a conspicuous lack of learning from these masters; it's frequently pretentious (e.g., the ludicrous python attack sequence), and excessively reliant on slow motion and cheap visual transitions. This was Derek's seventh directorial endeavor (and his second of four with wife Bo), and his filmography would ultimately be limited to two more features.
The film's failure is evident in the immediate re-telling of the Tarzan mythos in GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (a film I, surprisingly, have not yet viewed). The film was nominated for six Razzie Awards, with Bo Derek taking home one, along with nods for John Derek, Richard Harris, and Miles O'Keeffe. Gary Goddard, the future director of another anticipated but disappointing adaptation of a heroic figure, MASTER OF THE UNIVERSE (1987), which I intend to revisit soon (hooray!), co-wrote the screenplay.
Despite a mildly agreeable end-credits sequence showcasing Tarzan and Jane's interactions with an orangutan, and an occasionally inspiring musical score, the film's shortcomings are apparent in an incredibly silly finale involving native people painting Bo completely white. The film's inherent weakness is amplified by John Derek's apparent lack of engagement with the protagonist, Tarzan, which results in him being marginalized as a supporting character in his own film.
SanDiego
Who presents a more compelling naked physique than Bo?
This action-packed adventure, brimming with humorous camp and passionate romance, boasts performances of remarkable caliber—or so it seems! Let's be frank: this is a Bo Derek vehicle. The only reason to witness her seductive displays is for the spectacle itself. The film's director ought to have targeted an X-rated classification. While Bo might not possess acting prowess, she undoubtedly possesses undeniable appeal (and who can argue against the allure of a perfect ten?). For an extra dose of enjoyment, consider pairing this film with Tanya Roberts' 'Sheena: Queen of the Jungle.'
4a_chinn
This Tarzan ain't Johnny Weissmuller's!
Edgar Rice Burroughs' iconic tale is reduced to a soft-core pornographic presentation. Rather than a story about a man raised by apes, the narrative centers on the burgeoning sexuality of Jane, resulting in an utterly ridiculous depiction. "Tarzan the Ape Man" achieves a "so bad, it's good" status, rivaling Ed Wood or Showgirls, making it a must-see for connoisseurs of cinematic disasters. The undeniably attractive but talentless Bo Derek portrays Jane, creating moments of campy absurdity, like Tarzan's peculiar courtship advances. Another noteworthy scene involves Tarzan rescuing Jane from natives who ritually wash and mud-coat her—an intended erotic scene. Hopefully, the end-credits scene, featuring Bo being playfully caressed by an orangutan, is an homage to the 70s/80s ape-centric comedies like "Every Which Way But Loose," "Going Ape," and "BJ and the Bear." While these sequences were likely meant to be titillating, they fall far short of that mark. Overall, "Tarzan the Ape Man" is perhaps one of the most poorly conceived films ever made (though hopefully, Richard Harris was well compensated for his role). Its undeniably awful quality, however, elevates it to an essential viewing experience—a testament to the unintentional hilarity it elicits, no doubt a factor in Turner Classic Movies' choice to air it.
skinnyjoeymerlino
Potentially the most dismal film ever produced
In 1992, Miles O'Keeffe shared his experience auditioning for John Derek's "Tarzan the Ape Man" on TMC's "Joe Bob Briggs' Drive-In Theatre." The process, according to him, entailed donning a wig and loincloth, alongside other hopefuls, and engaging in playful swinging and rudimentary jungle noises in an LA park. Throwing objects at candidates ensued in a chaotic selection process, ultimately leading to O'Keeffe's casting in the title role. The orangutan who portrayed Cheetah received much publicity attention; Miles O'Keeffe, on the other hand, was seemingly relegated to a lesser role for the publicity tour to prevent potentially overshadowing Bo Derek.
Following a memorable turn in Blake Edwards' "10," Bo Derek pursued a brief film career under the direction of her husband, John Derek, essentially turning their projects into showcases for Bo Derek's physique. "Tarzan the Ape Man" was the first of these. Bo takes top billing as Jane, with Richard Harris taking second place as Jane's father, the orangutan Cheetah in third, and Miles O'Keeffe in the titular role. The plot unfolds with a series of leisurely jungle explorations, culminating in a scene where Bo announces, "I think I'll take a bath now." Her frequent use of her index finger to her lips during dialogue suggests an enigma that remains undeciphered. The director's instructions, according to Miles, were simply "Honey, get your breasts up." Richard Harris shouts out every line, while Miles O'Keeffe, during filming, described his role as monotonous. Tarzan emerges mid-film, but remains voiceless throughout. Numerous action scenes, shot in slow motion, defeat their purpose, appearing unduly prolonged.
Despite the abundant, full-frontal breast exposures, "Tarzan the Ape Man" remains a truly abysmal cinematic experience. Even aficionados of bad cinema have been unimpressed. This review lacks a rating system because zero stars are unavailable on IMDb to appropriately reflect this dreadful film.
5Waffle-Rama
Stunning Imagery and a Peculiar Subject
A mere year after seeing "10," anticipating another humorous, engaging film, I drove 45 minutes from a rural area in San Mateo County, California, to San Carlos to catch a late-night showing of "Tarzan the Ape Man" one Friday night in 1981. The theater was nearly empty, with several patrons departing mid-film. My attention was primarily engaged during scenes where Bo Derek's attire was diminished, if that's the right word to use.
The sheer physical beauty of Bo Derek, captured during her peak physical form by her husband's lens, is undeniable. Twenty-seven years later, the memory of Bo's emergence from the ocean, fully nude, remains vividly ingrained. The image of her glistening, twelve-foot-tall form rising from the blue water, bathed in sunlight, is a spectacular image. Her beauty remains etched in my mind. When video rentals emerged in the late 80s or early 90s, a rental copy from RKO, unfortunately, had much of that striking scene edited out. If anyone knows where an uncensored version exists, I'd happily relive this visceral experience.