The chi trig gay
The dramatic series, lauded with a GLAAD Media Award nomination, The Chihas consistently served as an accommodating environment for individuals and performers identifying as LGBTQ+. Currently airing its sixth season on the Showtime network, this program, conceptualized by Emmy recipient Lena Waithe, has undergone development and persistently fortifies its portrayal of diversity by introducing the program's inaugural central gay figures: Deondray (portrayed by Jabari Redd) and Quincy (enacted by Thomas Mackie).
Within this maturational narrative, situated in the eponymous urban area, these personas were brought forth as a direct reaction to a perceived scarcity of male, homosexual figures depicted on broadcast media. Their nomenclature was inspired by Deondray Gossfield and Quincy LeNear Gossfield, who collaborated intimately with Waithe to integrate the characters bearing their names, with the intention of dismantling clichéd depictions of LGBTQ+ individuals on screen and, conversely, exalting the profound breadth of variations present within the queer collective. Furthermore, this pair not only undertook the production of the sixth installment but also helmed three particular episodes during the latter portion of that season.
Regarding The Chi, the individual known as Quincy functions as a campaign strategist, possessing an intricate comprehension of the intricacies of the political sphere, and is actively assisting Victor 'Trig' Taylor (portrayed by Luke James) in his bid for public office. Conversely, Deondray's character is depicted as a greatly respected and learned property agent, whose employment is with one of the criminal figures depicted within the series.
Evidently, as observed through figures such as Nina (played by Tyla Abercrumbie) and her partner Dre (enacted by Miriam A. Hyman), alongside transgender storylines and individuals, notably Fatima (portrayed by L&8217;lerrét Jazelle), The Chi has consistently demonstrated an embracing approach to its portrayal of queer identities.
A chance for dialogue was afforded to GLAAD with Deondray and Quincy - the latter, akin to Waithe, being a native of Chicago - regarding the latest season, the conceptualization of these personas, and the manner in which The Chi contributes to advancing progress by highlighting varied queer narratives, particularly those pertaining to Black queer individuals.
Could you describe the process and the discussions that encircled the inclusion of the program's initial main homosexual figures?
DEONDRAY GOSSFIELD: The genesis of these roles stemmed from a casual Instagram exchange we engaged in with Lena Waithe concerning the surge of comprehensively developed gay, Black male figures on television during the nascent years of the new millennium, followed by their swift disappearance.
To what extent do gay, Black male characters exist who are integrated into the broader community, rather than being confined to homosexual districts and exclusive areas, or merely labeled as societal outcasts, insurgents, or antagonists? For me, an openly gay Black man, queer communities (or enclaves) have consistently offered a sanctuary from the routine of everyday existence. Indeed, the predominant portion of my time is spent operating within the wider societal fabric, fulfilling roles such as a colleague, an adjacent resident, a relative, or a companion.
Life has not always been a bed of roses, so to speak, and for the initial seven years of my maturity, my identity remained concealed. Yet upon disclosing my true self, the choice to withdraw into protected environments was simply unavailable to me, a reality shared by numerous Black gay individuals residing in urban neighborhoods. Consequently, I was compelled to endure scrutiny and address queries that were frequently born of ignorance or malice, alongside those that were genuinely innocent and inquisitive.
Ultimately, the individual with whom I was conversing departed with greater understanding, having been prompted to confront and reconcile their own homophobic sentiments, and for others, homosexual individuals appeared considerably less exotic or mythical.
Our desire was to witness such portrayals mirrored in gay, Black television characters. We yearned to observe openly gay Black men inhabiting and flourishing within their communal settings, not merely as background figures, but as individuals who are appreciated, indispensable, and held in high regard. Lena, having heard our plea, concurred. Subsequently, within a matter of days, she contacted us to convey her intention of integrating these very characters into the series, further revealing that they would be christened Quincy and Deondray! We were utterly astonished and immensely gratified that, at long last, such figures would grace the visual medium.
QUINCY LENEAR GOSSFIELD: Lena comprehends the immense capacity and inherent promise that the program's triumph possesses for not only providing amusement but also for fostering enlightenment and instigating societal transformation. A preferred maxim of hers is, 'for the culture.'
I admire her judicious utilization of her influence to craft thought-provoking narratives and empowering individuals, catering to the African-American populace, the broader LGBTQIA+ collective, and, specifically, African-American men and women. Her approach to character development and plot progression is highly calculated, since the overarching objective involves generating a constructive influence.
The Chi has long showcased a lesbian couple in a same-sex loving relationship, along with their blended family unit. Subsequently, she presented an innovative transgender figure engaged in an affectionate bond with a male partner, despite his non-identification as gay, yet acknowledging his position within the broader Queer continuum. The inherent appeal of these personas lies in their being rendered fully human, rather than merely serving as stereotypical caricatures. Their portrayal ensures they are rooted in authentic human experience, as well as firmly entrenched within the fabric of the show's reality. This aspect is something I genuinely appreciate. These specific characters exemplify a facet of that sustained dedication to diverse portrayal.
From a personal standpoint, what significance does it hold for each of you to witness these particular characters occupying a prominent and central role within The Chi?
DG: Personally, this holds immense importance for us. Beyond merely sharing our names, these figures embody the experiences of countless gay, Black men who inhabit and thrive within urban core areas. Navigating life as such presents a distinct and specific path: maintaining authenticity while concurrently contending with affronts and diminishments targeting one's masculinity and inherent human dignity. One's guard is perpetually elevated; there's a constant necessity to have an immediate, sharp retort at the ready whenever someone casts a disparaging judgment or cites a religious scripture against you.
Despite the weariness that these instances evoke, and the exhaustion that arises from individuals constantly seeking to denounce one's 'way of life,' instances of valuable education frequently emerge. Remarkably, these very dialogues are now poised to be showcased on a widely popular, general audience, primetime television program, thereby enabling our viewership to engage in periods of self-reflection from the secure confines of their personal dwellings. Such initiatives are precisely what drive progress and catalyze transformation.
QLG: Our efforts have consistently centered on advocating for inclusivity and providing a platform for narratives which accurately depict the lived experiences of queer men of color within our collective society.
Frequently, within popular media, our portrayal suggests a detachment from the authentic environments in which we reside and navigate. Indeed, our presence, individual journeys, and contributions to our respective communities have invariably proven crucial and indispensable. It is imperative that such realities are depicted, as we neither traverse existence unseen, nor exclusively inhabit urban enclaves designated for gay men throughout the nation. Rather, we are, for the most part, highly integrated - despite the inherent difficulties encountered merely for being authentic to ourselves. These particular two characters effectively occupy a space within The Chi's narrative as self-assured, same-gender-loving Black males in a devoted partnership, whose significance to the lives of other characters arises not from their sexual orientation, but from their intrinsic personal worth. They concretely exemplify the ideals articulated by the late Dr. Martin Luther King Jr.: being 'judged… by the content of their character.'
It is truly an honor for us that these characters bear names in our recognition and to have played a part in guiding these figures into the series.
Within the broader context of societal representation, THE CHI has been generating considerable impact since its initial season. How does the experience of contributing to THE CHI contrast with working on other productions, specifically concerning the portrayal of queer individuals?
DG: Indeed, a significant advantage of collaborating with Lena Waithe stems from her integral position within the queer community. Moreover, she is a Black individual who spent her formative years on Chicago's south side. Her perspective on every LGBTQ+ character she develops is deeply personal and from an insider's vantage. Consequently, concerns regarding genuineness are never encountered. A particular aspect I appreciate about the queer Black figures in this series is their consistent, three-dimensional scripting and their invariable depiction as cherished constituents of their respective communities - a reflection of how the majority of us experience open homosexuality within our daily lives and local environs. Are there inherent risks involved? Unquestionably so, and the program candidly addresses these challenges too. While the situation is intricate and frequently demanding, ultimately, we are invariably perceived as contributing members of society, a perception which almost universally cultivates both deference and comprehension.
QLG: I would further state that the affection, encouragement, and communal spirit experienced from both the network and the entire cast and crew have been remarkably conducive to this inclusive endeavor. From the outset, Lena established the precedent that this production environment champions inclusivity, both on-screen and behind the scenes.
The depiction of masculine queer individuals constitutes a segment of the expansive LGBTQ+ continuum. In what ways do you believe these figures resonate with viewers, transcending their specific identities?
DG: To begin, we wish to acknowledge the exceptional actors portraying Quincy and Deondray: the remarkable Thomas Mackie and Jabari Redd! Once more, a quality we deeply appreciate about these figures is their capacity to defy every conventional gay stereotype. They are simply typical working professionals who attend to their jobs, spend leisure time relaxing with relatives and companions, and return home in the evenings to share affection with one another. Absent are any grand theatrics or elaborate attire (though Quincy undeniably excels in his suits, a testament to our costume designer, Mercedes Cook), nor is there a heavy, ominous musical score; rather, they are merely two individuals deeply in love and committed, nothing more, nothing less. Despite their seamless integration into their surrounding environment, they exert no special effort to conform or assimilate. Their identity as SGL is unequivocally embraced. They offer no apologies or concealment, and indeed, exude an undeniable aura that implicitly communicates, 'If this displeases you, then so be it.' They represent a refreshing change and embody an element conspicuously absent from Black, gay television depictions in the recent past.
QLG: The introduction of these personas to both the audience and the universe of The Chi is predicated upon the inherent value they bring as human beings. The emphasis is placed not upon their sexual orientation or perceived distinctiveness, but rather upon their shared humanity. These figures neither conceal their identity, nor do they go to extraordinary lengths to obscure their homosexuality or adhere to societal norms. They are not operating furtively, nor are they exaggerating detrimental concepts of exaggerated masculinity. They are, quite simply, working individuals who navigate their existence authentically. They defy the preconceived notions often held about gay men, and it must be said, numerous individuals among us encounter such challenges in our day-to-day lives. Questions arise: What gains acceptance within one cohort? What finds favor with another? Ultimately, how might one simply achieve comfort within their authentic self?
A further aspect I find admirable is how audience members who do not identify as LGBTQIA+ become invested in the human essence of these figures prior to discerning their specific identities. This approach is somewhat unsettling, perhaps by design. Subsequently, they are compelled to scrutinize their ingrained prejudices and apprehensions upon realizing that these are, in fact, an openly homosexual pair, and to consider the diverse forms such a relationship may take. This presents an invaluable opportunity for learning. Indeed, no singular method exists for embodying pride, expressing same-gender love, and affirming one's identity. Whether one presents as masculine, feminine, or gender-non-conforming, no evaluative judgment ought to be imposed upon how any individual manifests in the world. These two particular characters, in conjunction with the other queer personas featured in The Chi, exemplify the inherent splendor of our community's rich variety. This constitutes a significant advancement.
Regarding the characters Deondray and Quincy, what future developments do you envision for them?
DG: Ultimately, the trajectory of these characters rests with Lena Waithe and our esteemed Showrunners, Justin Hillian and Jewel Coronel. However, it is certain that these individuals, much like every other character within The Chi's narrative, will be impacted by the nefarious criminal genius, 'Douda' (as portrayed by Curtiss Cook). His machinations weave an intricate trap from which none of our figures appear able to escape, and Quincy and Deondray will find themselves no exception. Nevertheless, amidst these challenges, the series is poised to persistently emphasize their mutual affection and the manner in which they provide unwavering support to one another during times of adversity, simultaneously demonstrating their commitment to their community.
QLG: The narrative of The Chi abounds with unexpected developments and intricate convolutions, and despite our roles as the Producing Directors for the program, we remain ardent admirers of the series. Therefore, if I were to hypothetically detach myself from the creative process, my desire would be to witness this duo propelled into the core drama and complex machinations, just as all other characters are, observing how they maneuver through every challenge while striving to uphold their individual bond. It would be compelling to see the couple's resilience challenged within their domestic sphere and broader existence. Already, a multitude of narrative arcs are present within the current season that could be further pursued. A significant latter portion of season six remains for further exploration. Who genuinely foresees what comes next? Lena, undoubtedly. So, remain attentive.
What key message or understanding do you wish viewers would glean from this installment of The Chi?
DG: Upon initial observation, The Chi appears to be a crime-oriented drama, yet upon closer examination, one discerns that its true essence lies in the concept of family. The entire collective within this area forged connections following the demise of a local adolescent. Individuals who might never have exchanged a word, were it not for this grievous misfortune, found themselves supporting one another, undergoing a process of recovery, and extending affection. As adversities persist in afflicting our characters, my aspiration is that the viewership will acquire the capacity to cherish and flourish amidst hardship, to love even when all semblance of optimism has faded, and to wholeheartedly accept the most marginalized individuals within their respective communities.
QLG: Affection, above all else. It is my earnest desire that they perceive the profound devotion instilled into this production by every participant. Fundamentally, this series explores the dynamics of kinship, encompassing both consanguineous and voluntarily formed bonds, and that spirit, candidly, permeates all who contribute. We operate as one extensive family unit, embracing all its inherent affections and intricacies, privileged to recount compelling tales about diverse forms of families - situated, naturally, in my cherished hometown, Chicago!